3 December 2020 Marilyn Hacker When you translate poetry in particular, you’re obliged to look at how the writer with whom you’re working puts together words, sentences, phrases, the triple tension between the line of verse, the syntax and the sentence.
3 December 2020 Marilyn Hacker You are almost not free, if you are teaching a group of graduate students, to become friends with one of them. I don’t mean anything erotically charged, just a friendship.
3 December 2020 Marilyn Hacker I started to send my work to journals when I was 26, which was just a question of when I got the courage up. They were mostly journals I had been reading for the previous six or seven years.
3 December 2020 Marilyn Hacker My mother was told she couldn’t go to medical school because she was a woman and a Jew. So she became a teacher in the New York City public school system.
3 December 2020 Marilyn Hacker Clearly, once the student is no longer a student the possibilities of relationship are enlarged.
3 December 2020 Marilyn Hacker As a teacher you are more or less obliged to pay the same amount of attention to everything. That can wear you down.
3 December 2020 Marilyn Hacker Poetry seems to have been eliminated as a literary genre, and installed instead, as a kind of spiritual aerobic exercise – nobody need read it, but anybody can do it.
3 December 2020 Marilyn Hacker Everyone thinks they’re going to write one book of poems or one novel.
3 December 2020 Marilyn Hacker I have experienced healing through other writers’ poetry, but there’s no way I can sit down to write in the hope a poem will have healing potential. If I do, I’ll write a bad poem.
3 December 2020 Marilyn Hacker Translation is an interestingly different way to be involved both with poetry and with the language that I’ve found myself living in much of the time. I think the two feed each other.
3 December 2020 Marilyn Hacker Of the individual poems, some are more lyric and some are more descriptive or narrative. Each poem is fixed in a moment. All those moments written or read together take on the movement and architecture of a narrative.
